If you want to know about Brad Bird’s real phone number and also looking for Brad Bird’s email and fanmail address then, you are at the correct place! We are going to give you the contact information of Brad Bird like his phone number, email address, and Fanmail address details.
How do I send a fan mail to Brad Bird?
Do you have a doubt about how to write a fan letter to Brad Bird? Please write a well-written fan letter in which you express your warm wishes, love, opinions, and pleasant greetings. A fan letter should be as short and sweet as possible. Remember to mention your favorite films, series, or shows. Please take note of Brad Bird’s fan mail address, which is listed below:
Brad Bird Contact Details:
REAL NAME: Brad Bird
NICKNAME: Brad Bird
DOB: 24 September 1957 (age 65 years)
BIRTHPLACE: Kalispell, Montana, United States
BIRTH SIGN: Libra
FATHER: Philip Cullen Bird
MOTHER: Marjorie A. Bird
SPOUSE / WIFE: Elizabeth Canney (m. 1988)
CHILDREN: Michael Bird, Nicholas Bird, Jack Bird
YOUTUBE CHANNEL: https://www.youtube.com/channel/UCxqQ3nTjXsUwqViCgxv22qA/videos
Fan mail address:
Pixar Animation Studios
1200 Park Avenue
Emeryville, CA 94608-3677
Brad Bird Bio
Phillip Bradley Brad Bird is a well-known American filmmaker, voice actor, animator, and screenwriter. He was born on September 15, 1957, in the United States. His most notable works are Ratatouille and The Incredibles (2004), both of which he wrote and directed for Disney/Pixar (2007). In addition, he developed and produced the 2D animated picture The Iron Giant, which was released by Warner Brothers in 1999 and received widespread praise. The work of Bird was characterized as follows by Eye Weekly in their analysis of the Ratatouille DVD: “It’s really hard to think of any major American filmmaker with a comparable fluid visual aesthetic or such a vice-grip on narrative mechanics.” In addition to that, he was the director of the episodes of The Simpsons titled “Krusty Gets Busted” and “Like Father, Like Clown.”
With the release of his film The Incredibles in 2004, director Brad Bird catapulted himself from the depths of obscurity in the entertainment industry to the upper echelons of the film industry. The bird was a brilliant boy who, at a very early age, had an interest in animation. Since then, he has had quite a remarkable career, working for businesses such as Disney, Warner Bros., and, most recently, Pixar Animation. He has worked on cartoon series ranging from “The Simpsons” to “King of the Hill,” and he was the mastermind behind the cult classic movie “The Iron Giant.” Fans of Bird are constantly excited to see what the animation genius has in store for them next, and he has not yet failed to disappoint them by bringing innovative strategies and original concepts into the field of animation.
Bird, who is famously reluctant to reveal his exact date of birth, was born in the city of Kalispell in the state of Montana. Leslie, Susan, and Kathy were his three elder sisters. His oldest sister was named Susan. When Bird was still a little kid, his family made a move to Oregon, and he ended up spending most of his youth there. Very early on in his childhood, Bird had a passion for animation, and he began working on his very first animated picture when he was only eleven years old. He spent a total of four years working on the movie, which was an adaption of an ancient fable about a race between a tortoise and a hare, and he completed it when he was just 14 years old. When he had done working on The Tortoise and the Hare, he submitted the final film to Disney in the hope that someone at the well-known animation studio would take an interest in it.
In the end, the Walt Disney Studios officials took notice of the first of Bird’s animated features since it was one of their pet projects. They were so taken aback by his brilliance that they invited him to join their mentorship programme. In 1975, Bird received his high school diploma from Corvallis High School in Corvallis, Oregon. Not long after that, he began receiving instruction from the famed Disney animator Milt Kahl, a member of the group often referred to in the business as the Nine Old Men. This group was responsible for the majority of Walt Disney’s early animated films.
After his time at Disney, Bird decided to pursue his interest in animation by enrolling in the California School of the Arts programme. After completing his education, Bird went back to Disney, where he had been promised a position working in the animation department. He was thrilled about the opportunity to work at Walt Disney Studios, where he would be able to put the skills he had acquired at the California School of the Arts and the insights he had gotten from Kahl to use. He got his start in the animation industry, working on the feature-length picture The Fox and the Hound, produced by Disney.
Bird, on the other hand, quickly lost interest in the work that Disney’s feature-length animation film department was doing. He believed that during the last few years, the level of quality had declined from what it had been in the past and that they had devalued the attractiveness of the films they created by allowing them to be adapted into television shows. He thought that this was the case. Bird has extremely firm beliefs in the importance of preserving the essence of a movie and avoiding the temptation to tamper with its plot by producing a sequel just for the purpose of creating a sequel. This included refraining from adapting films into television series.
Around the middle of the 1980s, Bird departed Disney. The work he accomplished as an animator for Steven Spielberg gave him popularity as an animator in the eyes of the general public. During the year 1985, he assisted Steven Spielberg with the production of an episode of Amazing Stories. After the popularity of the short film, Steven Spielberg approached Brad Bird and asked him to write the first draught of the script for his next movie, batteries not included. “Family Dog” was a massive smash as an episode of the show.
After “Family Dog,” Bird began contributing his consultant and guest animator talents to various other television shows. His first job was on The Tracey Ullman Show, also the programme’s title that inspired The Simpsons. When that, he went on to become a consultant on The Simpsons after the spin-off programme got its spin-off show. After that, he directed a few episodes of The Simpsons and was responsible for most of the animation sequences involving Krusty the Clown. By the middle of the 1990s, Bird was working as a consultant on a number of different series, some of which include The Critic (1994–1995) and King of the Hill (1997).
In the late 1990s, Bird started his career in the animation industry by joining Turner Featured Animation. He was still employed by the firm when Warner Bros acquired it. As soon as it took place, Bird started working on his adaptation of “The Iron Giant.” The British author Ted Hughes is responsible for the children’s book that inspired the animated picture The Iron Giant. Hughes wrote it in 1968 for his children after his wife, another author named Sylvia Plath, took her own life. He wanted to assist in conveying the concept of suicide to his children after their mother had committed herself. The Iron Giant was the first feature picture director Brad Bird directed, released in 1999. Almost immediately after its release, reviewers began noticing Bird’s work.
The magazine Newsweek praised the movie, stating that it was “beguiling at once simple and complex,” and they were not the only ones who felt this way. Because Warner Bros. provided very little advertising for the picture and very few people were aware of the movie when it was released, the film fared fairly badly at the box office, grossing just $23 million in its first three months of release. On the other hand, in this day and age of videotapes and DVDs, the movie has gained a wider fan following and has even become a cult classic.
As a testament to the film’s widespread appeal, Cartoon Network hosts an annual Iron Giant marathon on the day of Thanksgiving, during which the film is shown nonstop for the whole day. The movie’s success can be attributed, at least in part, to the fact that it was not a children’s movie in the traditional sense. Instead, director Brad Bird incorporated aspects of science fiction and added emotional honesty and depth, making the film appealing to an adult audience. Bird has said to reviewers that, in his opinion, a quality children’s movie is not aimed specifically at children but rather is made for people of all ages in general.
In 2005, The Iron Giant was made available on a uniquely packaged DVD for its release. The bird was meant to execute a feature-length film based on the Curious George novels next, and he even went so far as to prepare a script for the film before moving on to other projects. However, the project was still in production at Warner Bros. when Bird moved on to other projects. After that, in 2000, Bird found work at the groundbreaking Pixar Animation Studios.
He was the very first director to be brought in from outside the production company. The bird was brought on to work on animated and computer-generated films for production. The Incredibles was the first film that he worked on for Pixar, and it was released all the way back in November 2004. Pixar used a new approach, and the amount of labour involved was enough to discourage anybody else from pursuing the project. Bird wanted the characters in the movie to look as real as possible, so he and his team of animators had extras walk around the studio so that they could see and get used to the vision of human motion so they could translate it into animated characters. Bird’s goal was to make the characters look as real as possible.
“We’re doing ridiculous things all the way through the film,” Bird said in reference to the movie on the IGN website. “But we’re trying to pay attention to actual physics when we do the unreal stuff, so you believe it.” A lot of individuals approached us after the film and said, “Five minutes into the movie, I forgot I was watching an animated picture.” I do not believe that the movie looks realistic; I do not believe that it seems even slightly natural. But it has a credible air about it. Pixar had never done anything like that before, and although there was some uneasiness throughout production, the final results more than compensated for any additional work that was necessary while producing the picture. Pixar had never done anything like that before.
The movie made a total of $256 million at the worldwide box office. It also won all of the honours at the Annies, which is an award event for animated pictures, and it won the Academy Award for Best Animated Feature and the Academy Award for Best Sound Editing in 2005. The story of The Incredibles follows the lives of the Parr family, a family whose mother and father are former superheroes and who, as a result of some legal issues, have gone into the witness protection programme with their children and are not permitted to use their powers outside of the house. The Parrs’ children are not allowed to use their powers outside of the house.
Throughout the movie, the whole family rediscovers the source of their abilities and understands how to trust and depend on one another. About the movie, Bird was cited as saying, “I intended to utilise the superhero motif as a reflection on family stereotypes,” which was published in the Birmingham Post. As the father is the one who is constantly supposed to be strong “for the sake of your family,” this becomes his superpower. Because mothers are always being pulled in a million different directions, I allowed Elastigirl to stretch. Because teenage girls are insecure about themselves, I gave Violet the ability to become invisible and have defensive shields. And because ten-year-old boys are hyperactive energy balls, I gave Dash the ability to move at supersonic speeds.
One other thing that Bird wants people to take away from the movie is his displeasure with modern society, which he says has taken away the “specialness” of being unique. He has spoken about how he saw lads on his son’s soccer team who never gave their best and slept through training receive the same trophy as those who performed well in the game. It irritated him, so he included a plot point in the film in which superheroes are coerced into behaving normally since their “specialness” makes regular people feel uneasy.
In 2005, Bird was still employed at Pixar and expressed his desire to collaborate with the business on his next picture. For a long time, he has held the opinion that their studio is among the best in the industry. Bird is a family man; he and his wife have three children. Nicholas, one of his kids, provided the voice of Squirt in the film Finding Nemo, released in 2003. Nobody knows what Bird has in store for the future, but his legions of devoted followers can’t wait to see what he does next.
How can I request an autograph from Brad Bird?
Do you have a concern about how to send Brad Bird an autograph request? Please write a nice autograph request letter and attach a picture as well as a self-addressed stamped envelope. Don’t forget to use a piece of cardboard to write “DO NOT BEND” on an envelope. Please wait a few weeks or months for getting a reply from Brad Bird. Your signature request should be sent to the following address:
Pixar Animation Studios
1200 Park Avenue
Emeryville, CA 94608-3677
What is the best way to contact Brad Bird?
Do you wish to get in touch with a celebrity you applaud? One method to get your message through is to contact your favorite celebrity’s agency (publicist office). Brad Bird’s phone number is (510) 922-3000 and the Fax number is (510) 922-3151.
Best Methods to Contact Brad Bird:
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5. Brad Bird Phone Number, House Address, Email:
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Phone number: (510) 922-3000
Email id: NA