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Brina Palencia Contact Details:
REAL NAME: Brina Palencia
NICKNAME: Brina Palencia
DOB: 13 February 1984
BIRTHPLACE: Oklahoma, United States
BIRTH SIGN: Aquarius
PROFESSION: Voice actress
SIBLINGS: Gino Palencia
SPOUSE / HUSBAND: Arthur Wingo
YOUTUBE CHANNEL: N/A
Fan mail address:
Mary Collins Agency, Inc.
2909 Cole Avenue
Dallas, TX 75204
Brina Palencia Bio
Brina Palencia (Brina Michelle Palencia) is an American actress who was born on February 13, 1984, in Oklahoma City, Oklahoma, United States. Her net worth has increased dramatically in the years 2019 and 2020. As a result, what is Brina Palencia’s net worth at the age of 36 years old? Brina Palencia’s primary source of income comes from her work as an accomplished actress. She is originally from the United States. Brina Palencia’s net worth, money, salary, income, and assets have all been calculated based on our estimates.
In her live-action career, she has hosted GameStop TV and acted in indie films like The Ladies of the House and Lumberjack Man. She is also a model and actress. In 2014, she appeared as Roman’s younger sister Sophia in The CW’s science fiction love drama Star-Crossed, in which she received critical acclaim. A spoof rendition of Sarah McLachlan’s “In the Arms of an Angel,” dubbed “On the Wings of a Battmann,” was used in the Cyanide & Happiness short of the same name, which was released in 2017.
Gino Palencia, her brother, is employed at Funimation as an ADR engineer and production assistant, among other things. She presently resides in Los Angeles with her husband, Paul Wingo, whom she married on January 5, 2013, and they have two children. Palencia revealed her pregnancy on Twitter on September 12, 2018, informing her followers that she was expecting her first child. On February 1, 2019, she became the mother of a child.
It wasn’t until she moved to Dallas, Texas, that she received her high school diploma from Weatherford High School. She was motivated by the anime series Dragon Ball Z when she was a student at the University of North Texas in Denton. After earning a Bachelor of Arts in Music from the University of North Texas in 2006, she started working as a voice actor for the Japanese animation company Funimation. She was also a director at one point, but she finally shifted her concentration to the acting side of the business.
Brina Michelle Palencia (born February 13, 1984) is an American actress who has appeared in films, television shows, and voiceovers. She provides the voices for a variety of English-language versions of characters that appear in Japanese anime series. The dubbed voices of Tony Tony Chopper in One Piece, Mineta in My Hero Academia, Eve in Black Cat, Honoka Sakurai in Suzuka, Kurumu Kurono in Rosario + Vampire, Ciel Phantomhive in Black Butler, Holo in Spice and Wolf, Yuno Gasai in Future Diary, and Ryoko Okami in Okami-san and Her Seven Companions are some of her most well-known roles. She is also In front of the camera, she starred as Sophia in The CW’s Star-Crossed and has also been in The Walking Dead and Castle, among other shows. In video games, she is most known for her role as Mad Moxxi in the Borderlands series.
Appleseed Alpha, Summer Wars, and Evangelion: 2.0 are among the titles available. Evangelion: 1.0 You Are (Not) Alone, Evangelion: 1.0 You Are (Not) Alone, The Ladies of the House, Dragon Age: Dawn of the Seeker, One Piece Movie: The Desert Princess and the Pirates: Adventures in Alabasta, The High Schooler’s Guide, You Can (Not) Advance
In the film business, there has been an organized, and very successful, marriage between music and animation for decades. In this artistic collaboration between two very different mediums of storytelling, some of the most captivating scenes in American animation history were created, ranging from a ballad of yearning and longing for freedom, performed by a troubled princess, to a tearful song performed by a misunderstood adolescent gorilla. However, for some reason, anime has been hesitant to hop on the musical bandwagon as other media have. That is, until lately, at any rate.
Funimation Entertainment, in collaboration with J.C. Staff studio and Bandai Namco Arts, developed the anime Sing a Bit of Harmony, which chronicles an artificial intelligence’s quest to make her human peers happy via music. Shion, the artificial intelligence, is unable to comprehend social signs and is thus put into a high school as part of an experiment to assess her intellect and ability to blend in as a robot with people like a robot. Satomi is an outcast student with who Shion develops an uncommon relationship. Shion used songwriting to not only express her own ideas and emotions but also to settle the conflict and bring more people into Satomi’s life as a result of this attachment.
Aside from idol-centric anime or those that were directly centered on artists such as Carol and Tuesday, Her Blue Sky, and Anonymous Noise, anime featured relatively few music-centric films, with frequent musical pieces performed spontaneously by the main actors, as opposed to other genres. And, although it is not precisely a musical, Sing a Bit of Harmony is a remarkable achievement in the anime industry, as it represents the beginning of Japanese animation’s foray into a kind of narrative in which what is heard is just as significant as what is shown.
“There are anime that have musical parts and songs, but this is so unique in the way the songs are utilized because it’s almost like Shion’s own language,” says Palencia. “There are anime that have musical bits and songs,” says Palencia. This is how she communicates what she actually wants to say and express, as well as how she assists other people in understanding their own feelings. “I approached it, in the same way, I would any other song adaptation, but it felt like it had more weight, where all of the lyrics mattered so much more than I’m used to because it actually served to move the story forward, which is something that doesn’t typically happen in anime.” “I approached it, in the same way, I would any other song adaptation, but it did feel like it had more weight, where all of the lyrics mattered so much more than I’m used to because it really served to move the story
“It’s this unexpected cherry on top that really makes the movie a little more special because, through her songs, you see Shion understand what it means to be happy and also show others how easy it is to find happiness,” says Megan Shipman, who voices and sings for Shion in the film’s English adaptation.
Even while the film’s concept is pleasant, it was the film’s emphasis on music – produced by Ryo Takahashi and penned by Youhei Matsui – as a key mode of communication that drew in not just Palencia and Shipman, but also Risa Mei, who plays Satomi’s English voice actress.
The music, says Mei, “transcends languages, and so you get a lot of music, especially with Sing a Bit of Harmony, that’s connecting situations, mending relationships, bringing things together, pulling together all these unlikely situations and unlikely relationships that would not have happened if it weren’t for the music itself.” The emotions I had while filming some sequences were so strong that there are actual responses you hear from Satomi that were recorded by me in the recording studio. When you put this animation along with this music, it’s pure gold.”
The animation in Sing a Bit of Harmony, in addition to the moving music, is very stunning, thanks to the efforts of a talented group of artists, including illustrator and character designer Kanna Kii and animation director Hidekazu Shimamura.
The film includes downpour sequences in which Shion sings to a couple whose relationship is also a little stormy; there are also moments of incredible spectacle, including fireworks, neon lights, and solar panels that are moved to create a perfect reflection of a starry sky as Shion and his high school friends rally to serenade Satomi.
Satomi’s boyhood pal Toma is voiced by Jordan Dash, who describes the experience as “awe-inspiring.” “There were specific points during the movie when I was simply in awe of the art, the colors, the music, and everything coming together,” he adds. “I got a little sidetracked throughout the recording process. I’ll be completely honest with you. It was very awe-inspiring, and it has undoubtedly been one of the joys of my professional life.”
“I remember being really taken away the first time I watched it,” says Ian Sinclair, who provides the voice of Gotcha, the film’s “popular lad.” You can see that a lot of thought and effort has gone into it. It causes you to step up your game. It’s giving me chills just thinking about it. And I’m looking forward to watching it on a large screen when it comes out. “It has a massive sound system.”
Palencia feels that the successful mix of music and animation is a result of both arts tapping on the emotions of the audience. It’s also worth noting that although anime has always been a kind of storytelling that doesn’t hold back on the tear-inducing aspect, the addition of music performed by an innocent, bright-eyed main character sharpens the sword that cuts to the heart of a viewer’s emotions.
“Emotions are abstract; they do not follow a logical progression,” she says. “As a result, I believe that being able to witness something that affects you on both levels – on both the musical and animated levels – results in it being far more emotional. They do, when seen as a whole, get into our psyche in a manner that other art forms just cannot.”
Shipman also feels that music may help spectators connect on a deeper level with the individuals – and the situations in which they find themselves – in these tales. In her opinion, it “almost seems like it gives an additional layer of emotional depth to a character.” “It’s like when you hear a Taylor Swift song for the first time.” “I’ve never been in a relationship with Harry Styles before, but because of her songs, I feel like I understand what it’s like to be in one.”
“We’re talking about high school students here,” Dash explains further. We’ve all gone through high school, and we’ve all seen the world through the eyes of a teenager. And it’s almost as if the music transports you back to yourself 10 years ago.”Despite its sci-fi roots, Sing a Bit of Harmony is a musically charged slice of life that is anchored in emotion and the daily yearning to discover one’s own happiness, and it is brought to life via the sights and sounds of a diverse group of brilliant performers.
In Mei’s words, “As artists, as creators, we have a plethora of diverse types of art in which we contribute.” It is a blend of many different creative abilities that people can relate to,” says the artist. “I’d want for people to appreciate the tale for what it is: a work of art, which is what this film is.”
Palencia, on the other hand, couldn’t have asked for a more appropriate narrative, one that was filled with songs and made her feel happy. The author describes the current state of her life as “such a lonely moment.” “And I get the impression that Shion is just trying to make people feel recognized and appreciated via all of this music and all of these songs,” says the listener. And it was really crucial to me that this message was conveyed clearly throughout the adaptation. My main focus was on making sure that every phrase had the potential to help people feel less alone. This was definitely the most difficult aspect of the project. Furthermore, it is my desire that when people see this video, they will be made to feel noticed, appreciated, and joyful.”
To which Sinclair responds by stating that “honestly, I believe that we all needed a movie like this,” adding that “in general, you can walk out of the theatre with warm and fuzzy emotions and feel fulfilled with a desire to go after things that make us happy.” I believe a large number of individuals are going through something similar right now. They’re attempting to discover what makes them happy and, in a sense, to break free from their own internal conditioning. If we can persuade even a small number of individuals to pursue their dreams, we will have accomplished something positive in the world.”
How can I request an autograph from Brina Palencia?
Do you have a concern about how to send Brina Palencia an autograph request? Please write a nice autograph request letter and attach a picture as well as a self-addressed stamped envelope. Don’t forget to use a piece of cardboard to write “DO NOT BEND” on an envelope. Please wait a few weeks or months for getting a reply from Brina Palencia. Your signature request should be sent to the following address:
Mary Collins Agency, Inc.
2909 Cole Avenue
Dallas, TX 75204
What is the best way to contact Brina Palencia?
Do you wish to get in touch with a celebrity you applaud? One method to get your message through is to contact your favorite celebrity’s agency (publicist office). Brina Palencia’s phone number is (214)-871-8900, and the Fax number is not available.
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Phone number: (214)-871-8900
Email id: NA