John Lasseter Phone Number, Fan Mail Address, Autograph Request Info and Contact Details

john lasseter fanmail address

If you want to know about John Lasseter’s real phone number and also looking for John Lasseter’s email and fanmail address then, you are at the correct place! We are going to give you the contact information of John Lasseter like his phone number, email address, and Fanmail address details.

How do I send a fan mail to John Lasseter?

Do you have a doubt about how to write a fan letter to John Lasseter? Please write a well-written fan letter in which you express your warm wishes, love, opinions, and pleasant greetings. A fan letter should be as short and sweet as possible. Remember to mention your favorite films, series, or shows. Please take note of John Lasseter’s fan mail address, which is listed below:

John Lasseter Contact Details:

REAL NAME: John Lasseter
NICKNAME: John Lasseter
DOB: 12 January 1957 (age 66 years)
BIRTHPLACE: Hollywood, Los Angeles, California, United States
BIRTH SIGN: Capricorn
FATHER: Paul Eual Lasseter
MOTHER: Jewell Mae Risley
SIBLINGS: James Paul Lasseter, Johanna Lasseter-Curtis, Pamela Jane Lasseter
SPOUSE / WIFE: Nancy Lasseter (m. 1988)
CHILDREN: Sam Lasseter, Bennett Lasseter, Paul James Lasseter, Jackson Lasseter, Joey Lasseter

Fan mail address:

John Lasseter
Skydance Animation
2900 Olympic Blvd
Santa Monica, CA 90404

John Lasseter Bio

John Lasseter is most well-known for his work with Walt Disney and Pixar Firms, two of the most notable animation studios in the world. In addition to being an animator, screenwriter, and director, Lasseter is most known for his work with these studios. He was encouraged to pursue a career in the arts by his mother, who worked as an art instructor at a high school in the area.

After completing his high school education, he went on to get his degree from the ‘Character Animation Program at the California Institute of the Arts’ (California Institute of the Arts). He believed that computer-generated imagery (CGI) technology had significant promise for the future, and after completing his education, he found employment with Walt Disney. Therefore, he tried to persuade his superiors at “Disney” that the company needed to alter its practices.

However, his employment was terminated. This resulted in his joining Pixar, where he worked on critically acclaimed and financially prosperous movies such as “Toy Story” and “Cars,” as well as “Monsters Inc.” and “Toy Story 2.” He is regarded as one of the most talented animators in the field’s annals and has won several awards for his work. In 2007, ‘Disney’ completed the acquisition of ‘Pixar,’ and shortly afterward, John was appointed CEO of the newly combined firm. Despite this, he was dismissed from his position in 2018 when it came to light that he had been accused of inappropriate sexual behavior.

Lasseter was born on January 12, 1957, in Hollywood, California, into an orthodox Christian home that belonged to the upper-middle class. His parents were Paul and Jewell Lasseter. His mother was an art teacher at the high school in their town. The car dealership where his father worked was called “Chevrolet,” thus the name. The age difference between John and his twin sister Johanna is just a few minutes, and they experienced childhood together.

His family had a solid commitment to the community church while growing up in Whittier, California, where he spent much of his formative years. John’s mother was an animator, and John grew up seeing her at work, which sparked his interest in the profession. He was a big admirer of the great American animator Chuck Jones when he was a kid, and he spent a lot of his childhood hours in front of the television watching his cartoons. He enjoyed watching Bugs Bunny and Daffy Duck the most out of all the cartoon characters.

When he was still in high school, he sent his resume and cover letter to “Walt Disney Studios” hoping to land a job there. On the other side, absolutely nothing took place. He was inspired to become an animator after reading the book “The Art of Animation,” by Bob Thomas. When he read the book that chronicled the development process of Disney’s “The Sleeping Beauty,” he was pleased with the movie.

When he was a senior in high school, he knew without a doubt that he wanted to work in the animation industry when he graduated. His mother, who was involved in the creative industry, gave him unwavering support. John was one of the first students to enroll at the “Disney” animation program established in the early 1970s. He attended the same high school as Tim Burton and Brad Bird, who would later become animators. According to him, it allowed him to see things in a different light and gave him a fresh perspective on life. In recognition of his achievements as a student filmmaker, he was awarded a student “Academy Award” for both ‘Lady and the Lamp’ and ‘Nightmare.’ The very next day after he received his diploma in 1979, he was offered a job with “Disney.”

The Walt Disney Company had hired him throughout the summers of his college studies in “Disneyland” in Anaheim, California. After completing his education, he pursued this line of work full-time. In the late 1970s, “Disney” was criticized for recycling old content and failing to engage their audience with fresh ideas, which led to the criticism being leveled at the company. The company realized it needed more workers, so it increased its recruiting efforts to fill the positions. In a concise amount of time, about 10,000 submissions of applications were received. “Disney” chose 45 animators to work full-time and placed the other 150 in the running for further consideration. John was one of those people. Consequently, he started working as an animator for “Walt Disney Productions.”

The executives could glimpse John’s talent via his initial effort, dubbed “Musicana.” However, the product has yet to be launched. The film’s popularity led directly to producing an animated television series called “Fantasia 2000,” which debuted in 1999. John Lasseter began to feel worried at some point during the 1980s when he saw that the animation business was losing its audience. The animated classic “101 Dalmatians” was one of the first things that John saw that made him realize they needed to make a substantial adjustment to their strategy. At the time, computer-generated imagery, sometimes known as CGI, was gaining popularity in the industry. At the forefront of this trend were blockbuster films such as “Tron.”

He concluded that the experience of viewing a movie might be improved by adding 3D animation. As a result, he deliberately chose to include aspects of technology in his artistic practice. John and Glen Keane’s “Where the Wild Things Are” adaptation had a hybrid animation style that combined conventional hand-drawn animation with computer-generated imagery. This was a little experiment that John and Glen Keane undertook.

Despite this, nothing went according to plan. John Lasseter was fired from his position at Disney Studios in the end. Since he was in a bad mood, he started looking for a new job. Ed Catmull was an employee in what was known as the “Lucasfilm Computer Graphics Group.” After running across Ed again, he presented the idea of an animated short film titled “The Adventures of Andre and Wally B.” The movie was produced, and many viewers loved seeing it.

The short film “The Brave Little Toaster” has a history of being unable to get the necessary funds. In 1984, he began working at ‘Lucasfilm Studio’ as an animator on a full-time basis. As he became more knowledgeable in computer science, he shared his expertise with their scientists by instructing them in computer science and animation. By the middle of the 1980s, “Lucasfilm” had been rebranded as “Pixar Graphics Group,” and Steve Jobs had acquired the bulk of the company’s shares. It became a separate film company after being almost put out of business by George Lucas, who then sold the firm.


John Lasseter was one of the original members of the Pixar team and is most known for his work on the films Toy Story and A Bug’s Life, both of which were produced by Pixar. The first American animated film to be created entirely using computer-generated imagery (CGI), the hugely successful “Toy Story” John was the recipient of the “Special Achievement Award” that was presented by the Academy of Motion Picture Arts and Sciences in the year 1995. In addition, the critical reception to his work as a director on movies like “Toy Story 2,” “Cars,” and “Cars 2” was overwhelmingly positive.

In addition to previous “Pixar” films, such as “Monsters, Inc.” and “Finding Nemo,” as well as “The Incredibles,” he is now one of the most well-known animation film producers in both the critical and business communities. The word “Pixar” almost immediately became synonymous with ground-breaking computer-animated films. In January 2006, ‘Walt Disney’ made public their intention to acquire ‘Pixar,’ which was an animation studio. John has resumed his employment at ‘Disney.’ After earning the promotion, he was a chief creative officer at both Pixar and Disney. He had a high-ranking management position and reported directly to Bob Iger, the company’s CEO.

At “Disney,” John Lasseter oversaw the development of a program that produced short animated films for theatrical exhibitions. These movies were made possible by employing fresh creative minds. Creating new jobs was required for {Disney to carry out its long-term growth goals. In 2007, he collaborated with Ed Catmull once again. They had the duty of “Disney toons” given to them. Pixar, Walt Disney, and Disneytoon were the three different departments under Disney’s umbrella.

In addition, he is an avid supporter of Hayao Miyazaki, a well-known Japanese animator. He was in charge of the American dubbing and music for the Japanese animated films that Hayao had produced. A “forest spirit” figure named My Neighbor Totoro from the movie “My Neighbor Totoro” was included in John Lasseter’s “Toy Story 3.” From the middle of the 2000s to the middle of the 2010s, he served on the board of governors for the ‘Academy of Motion Picture Arts and Sciences.’ Since the beginning of 2019, John Lasseter has served as the head of the “Skydance Animation” studio.

In 2017, he was the subject of a scandal when allegations surfaced that he had engaged in sexual misconduct while at work. It was announced in a press statement issued by Disney in June 2018 that John would be leaving the company after the current calendar year. The next year, Lasseter was taken on at Lucasfilm Ltd., the film company owned by George Lucas, to work as a computer graphics artist. It was the first animated short film to integrate computer-generated characters, and he was chosen to direct it. The film was titled The Adventures of André and Wally B., released in 1984.

In 1986, Steve Jobs, one of the founders of Apple Computer, Inc., acquired the division, which resulted in the formation of an independent business named Pixar. Pixar specialises in the creation and selling of animation software. As a direct consequence, Disney became the most valuable customer of the corporation. During his time there, Lasseter directed several short films and television advertisements for Pixar. Lasseter was awarded the Academy Award for Best Short Animated Feature for his work on the film Tin Toy, which was released in 1988.

In 1991, Disney first gave Pixar assignments to create animated films for the company. Toy Story was the first feature film that John Lasseter directed, and it was notable for the many talking toys that appeared in the movie. In addition to being nominated for an Academy Award for the second time, he was given a special achievement award for the film. Lasseter went on to direct several other successful Pixar films for Disney after directing the critically acclaimed films A Bug’s Life (1998) and Toy Story 2 (1999). A Bug’s Life was a comedic adventure involving animated insects, and Toy Story 2 was a sequel to the critically acclaimed Toy Story (1995), which featured other tales of the toys from the original.

He was one of the co-directors of the film Cars (2006) about anthropomorphic autos. During this same period, Lasseter worked on several films for Pixar, including Monsters, Inc. (2001) and Finding Nemo (2003), both of which dealt with the tension between the human and monster worlds.

How can I request an autograph from John Lasseter?

Do you have a concern about how to send John Lasseter an autograph request? Please write a nice autograph request letter and attach a picture as well as a self-addressed stamped envelope. Don’t forget to use a piece of cardboard to write “DO NOT BEND” on an envelope. Please wait a few weeks or months for getting a reply from John Lasseter. Your signature request should be sent to the following address:

Fanmail Address

John Lasseter
Skydance Animation
2900 Olympic Blvd
Santa Monica, CA 90404

What is the best way to contact John Lasseter?

Do you wish to get in touch with a celebrity you applaud? One method to get your message through is to contact your favorite celebrity’s agency (publicist office). John Lasseter’s phone number is +1-(510) 922-3000 and the Fax number is not available.

Best Methods to Contact John Lasseter:

It is simpler to contact John Lasseter with the below-written contact ways. We have composed the authenticated and verified communications methods data as given below:

1. John Lasseter TikTok: NA

John Lasseter has TikTok Account under his own title name. He is posting his videos regularly. Follow TikTok and also get the latest updates and video recordings from his account.

2. John Lasseter Instagram:

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3. John Lasseter Facebook:

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4. John Lasseter Twitter:

Using the famous social networking platform Twitter, it is easier to spot and contact prominent people. You can write to their Twitter handle so that he can see it and respond asap.

5. John Lasseter Phone Number, House Address, Email:

Here we discuss the most common contact methods like the phone number of John Lasseter, email address, and fanmail address.

Phone number: +1-(510) 922-3000
Email id: NA

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