Michael Ensign Phone Number, Fan Mail Address, Autograph Request Info and Contact Details

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How do I send a fan mail to Michael Ensign?

Do you have a doubt about how to write a fan letter to Michael Ensign? Please write a well-written fan letter in which you express your warm wishes, love, opinions, and pleasant greetings. A fan letter should be as short and sweet as possible. Remember to mention your favorite films, series, or shows. Please take note of Michael Ensign’s fan mail address, which is listed below:

Michael Ensign Contact Details:

REAL NAME: Michael Ensign
NICKNAME: Michael Ensign
DOB: 13 February 1944
BIRTHPLACE: Safford, Arizona, United States
NATIONALITY: American
BIRTH SIGN: Aquarius
PROFESSION: Actor
FATHER: Keith Steven Ensign
MOTHER: Jane Levine
SIBLINGS: NA
SPOUSE / WIFE: NA
CHILDREN: NA
INSTAGRAM: https://www.instagram.com/michaelensign
TWITTER: https://twitter.com/dmensign
FACEBOOK: NA
YOUTUBE CHANNEL: NA

 

Fan mail address:

Michael Ensign
4315 W. Sarah Street
Burbank, CA 91505-3837
USA

Michael Ensign Bio

Michael Ensign is a British-American actor who received his acting training at the prestigious London Academy of Music and Dramatic Art. He began his professional career by working in theatre in Britain, where he remained for the first 11 years of his career. From 1972 to 1975, he was a member of the Royal Shakespeare Company. The majority of Ensign’s film and television work was done in the United States. A well-known actor who has played supporting roles in a number of blockbuster movies, such as Titanic, The Five-Year Engagement, and Ghostbusters, among others.

After graduating from the London Academy of Music and Dramatic Art, he began his career in theatre in Britain and remained there for the first 10 years of his professional life. In 2009, the Distinguished Alumnus Award in Theatre was bestowed on him by the College of Fine Arts at the University of Utah. He had a role in the rock opera film Pink Floyd – The Wall, which was released in 1982. Oliver Stone was the screenwriter for the movie “Midnight Express,” which he also acted in.

Now that Amy Ensign is in control of the professional theatre group, it seems unlikely that the stage productions that Door Shakespeare patrons are used to seeing will undergo significant changes in the foreseeable future. After being selected as the producing creative director of Door Shakespeare at the end of October, Ensign has a lot of ideas to revitalize the organization both in the community and behind the scenes. She is excited to get started. Michael Stebbins, who has been working in that capacity for the corporation since 2018, will step down and be replaced by Ensign.

During the same year, Ensign was promoted to the position of managing director and collaborated extensively with Stebbins. She stated that Stebbins, a well-known figure in Milwaukee-area theatre who came to Door County in the summers to work with Door Shakespeare, was considering leaving the company at the end of the 2022 season but then broke his leg severely enough in the spring to prevent him from coming to the Peninsula for the season. He worked with Door Shakespeare during the summers in Door County. This past summer, Ensign worked in the capacity of acting creative director.

Ensign is a well-known figure in the theatrical community in Door County, and this season marks the beginning of her second run with Door Shakespeare. She began her career with the firm in 2007 as an actress, and over the next few years, she worked her way up through the ranks, first working on administrative projects, then becoming the education director, and ultimately becoming a co-manager in her last year with the organization in 2012. After that, Ensign began performing with local theatrical organizations such as Northern Sky Theater, Peninsula Players, and Third Avenue Playhouse (now Third Avenue Playworks). In 2016, she was promoted to the position of marketing and development director at TAP. Two years later, she was hired back at Door Shakespeare.

According to Ensign, during the previous season, while she was serving in the role of acting director, she concentrated on assisting in the production procedures of the two plays that the group performed on its outdoor stage in Baileys Harbor. When Stebbins had his accident approximately a month before the start of the season, preparations for the creative side of the production had already been underway for at least a year, and work on the shows was already well underway.

Now imagine this: a pimp, a prostitute, and a detective all walk into a pub at the same time. With names like Princess and Ramrod, it may seem like the beginning of a stupid joke or the beginning of something that may be a very fun time, but in the case of the action-horror film Vice Squad, released in 1982, that is not necessarily the case. In point of fact, this is a highly sexualized criminal thriller that also has some intense violence and a ruthless antagonist. It’s interesting how this movie is the conclusion of the late 1970s and early 1980s, which brought together a tonne of top-tier talent, but it’s also hilarious because this movie is so excessively violent, it’s unfathomable that it was ever completed and released.

This movie was directed by Gary Sherman, who most recently finished directing Dead and Buried and then moved on to directing Poltergeist III. Robert Rehme, his producing partner, also participated in the event (former president of Avco Pictures who helped make a tonne of John Carpenter movies, including The Fog and Escapes From New York). John Alcott, a cinematographer who had previously worked on four of Stanley Kubrick’s finest films, including 2001: A Space Odyssey, Barry Lyndon, The Shining, and A Clockwork Orange, was also working with this partnership on this project. Alcott had previously collaborated with the duo. Joe Renzetti, who composed the score for “Child’s Play,” brings the total number of talented individuals working on this project to three.

The plot may be nothing more than a run-of-the-mill affair for a grindhouse B movie, but the visual aesthetic, camera angles, and soundtrack are out of this world. It was planned from the beginning for Vice Squad to be a television show that would be based on the actual experiences of a Los Angeles police officer and would investigate a wide variety of various facets of the criminal world in Southern California. Sherman concluded that a more concise film would be more successful, so he narrowed the focus of the tale to include just murder and prostitution.

The character of Ramrod, a pimp, is introduced at this point. Wings Hauser, the father of Cole Hauser of Dazed and Confused and Good Will Hunting, gives an outstanding performance as the character. The movie provides a first-person account of Ramrod using a wire coat hanger on an unfortunate working woman in a number of different ways, demonstrating that he is not beyond inflicting serious physical abuse on the females in his harem. In the meanwhile, there is a prostitute known as Princess (Season Hubley), who is a mother by day and who is now working with police enforcement to bring Ramrod to justice. Princess is trying to bring Ramrod to justice.

Ramrod is first apprehended, but he is quickly freed and is now on the hunt for Princess so that he may brutally murder her. Now it is up to the authorities, headed by investigator Tom Walsh (Gary Swanson), to locate Ramrod and Princess before the two of them collide with one another. The spectacular graphics of the crime-ridden streets with neon signs lighting up the night sky and where all different kinds of filthy criminals come out to play for a few hours a day is where Vice Squad still excels more than 35 years after it was released.

The movie is completely content with being precisely what it is and never makes any attempt to be anything else. It never attempts to preach a message or have an underlying theme, and it never does. Even the story’s heroine, the Princess, advises viewers to “simply accept this way of existence” since these filthy streets will never be cleaned up no matter what they do. One can readily detect a glimpse of Martin Scorsese’s Taxi Driver in the setting and combination of sex, physical violence, and retribution, where Travis Bickle may be getting his vigilante role off to a start on the streets.

This is made very clear by Princess and Walsh here. On the other hand, the Vice Squad is more focused on exacting their vengeance than they are on making an effort to alter the course of history. The performances given by Hauser, Hubley, and Swanson are all quite good, but Hauser particularly stands out for his psychopathic portrayal of a psychopath who believes he can get away with whatever he does. Hubley and Swanson both provide very good performances. Even after so many years, Vice Squad is still able to deliver on its promise of thrills and excitement.

It is always entertaining to look forward to the release of classic films and see how well movies that are 30 or more years old hold up after being given fresh transfers. The new 4K scan of the original film materials is just another example of how Scream Factory consistently produces high-quality work, and this time is no exception. This recently completed 1080p HD transfer gives the color palette and detail of the 1982 picture Vice Squad a new lease of life, making the movie seem better than it ever has before.

The film begins with a sequence that is a montage of b-roll videos depicting the seedy life that can be found on the streets at night. The environment has a fantastically rich quality because of the neon signs that decorate the pornographic theatres, pubs, and cafés that are open late at night. The illumination from these signs is bright and noticeable, which helps them to stand out beautifully against the dark alleyways and surroundings. Each of the bright pimp costumes, in addition to the interior surroundings, has a distinct tone. The natural browns, greens, and more earthy tones have major enhancements, where we can now distinguish the varied shades of color on props and set dressings. These kinds of changes may be found when we are inside a hotel room or apartment room.

At night and in shady areas, details such as red lipstick and blood, as well as the numerous gradations of black, become more apparent. They have a remarkable jet-black coloration. The appearance of the player’s skin is more realistic and never too saturated as in earlier iterations. The level of detail has also increased significantly, as seen by the increased visibility of heavy cosmetic flaws and the makeup effects of gore and wounds, revealing the small intricacies in their cuts and marks. It is now possible to make out individual hairs, wrinkles, and clothing textures.

It’s almost as if you’re seeing the movie for the very first time. Wider images appear cleaner and provide much-needed depth to the cramped, confusing labyrinth that is the city streets. Last but not least, there were no significant problems with banding or aliasing. However, there was still some dirt and debris on a handful of occasions, which added to the nostalgic and filmic quality of this older, more violent movie. The DTS-HD MA Mono audio that Scream Factory provides is quite powerful, making it an excellent choice for a gritty action or crime movie. The one thing that would make it perfect is if it also came with a 5.1 audio mix.

In such a scenario, one could hear the high-octane sound effects, such as vehicle chases, gunfire, and other crazy noises, traveling through the speakers, in addition to experiencing a more realistic environment of city life in the backseats. Nevertheless, this mono tune delivers quite a punch right where it matters. The vehicles’ engines crank up to a strong roar, and gunshots fire off with gusto; unfortunately, the soundscape lacks a substantial bottom end that would give any gravitas to it. The sound effects of punches and kicks to the body, as well as doors opening and slamming shut, all have a satisfactory impact, yet they never startle the audience.

How can I request an autograph from Michael Ensign?

Do you have a concern about how to send Michael Ensign an autograph request? Please write a nice autograph request letter and attach a picture and a self-addressed stamped envelope. Remember to use a piece of cardboard to write “DO NOT BEND” on an envelope. Please wait a few weeks or months for a reply from Michael Ensign. Your signature request should be sent to the following address:

Fanmail Address

Michael Ensign
4315 W. Sarah Street
Burbank, CA 91505-3837
USA

What is the best way to contact Michael Ensign?
Do you wish to get in touch with a celebrity you applaud? One method to get your message through is to contact your favorite celebrity’s agency (publicist office). Michael Ensign’s phone number is (310) 859-0625 and the Fax number is unavailable.

Best Methods to Contact Michael Ensign:

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1. Michael Ensign TikTok: N/A

Michael Ensign has TikTok Account on his title name. He posts his videos regularly. Follow on TikTok and also get the latest updates and video recordings from his account.

2. Michael Ensign Instagram: https://www.instagram.com/michaelensign

The most famous social media site is Insta. On Insta, you’ll find each person’s profile and a renowned person. You may also communicate with them via direct messaging if you use it. You may also use Instagram to view his Instagram profile and recent photos.

3. Michael Ensign Facebook: NA

The most well-known social media site is Fb. Every renowned person’s description could well be found on Facebook. You may also connect with them by text messages or DM. You may also check their Facebook page and fresh pics by visiting Facebook.

4. Michael Ensign Twitter: https://twitter.com/dmensign

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You can write to their Twitter handle so that he can see it and respond asap.

5. Michael Ensign Phone Number, House Address, Email:

Here we discuss the most common contact methods like the phone number of Michael Ensign, email address, and fanmail address.

Phone number: (310) 859-0625
Email id: NA

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