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Anthony LaPaglia Contact Details:
REAL NAME: Anthony LaPaglia
NICKNAME: Anthony LaPaglia
DOB: 31 January 1959 (age 64 years),
BIRTHPLACE: Adelaide, Australia
BIRTH SIGN: Aquarius
FATHER: Gedio LaPaglia
MOTHER: Maria Johannes Brendel
SPOUSE / WIFE: Alexandra Henkel (m. 2018), Gia Carides (m. 1998–2016)
CHILDREN: Bridget LaPaglia
YOUTUBE CHANNEL: https://www.youtube.com/channel/UCLYViuQqzNDm0o02DDjOhig
Fan mail address:
Industry Entertainment Productions, LLC
955 S. Carrillo Drive
Los Angeles, CA 90048-5400
Anthony LaPaglia Bio
On January 31, 1959, Anthony LaPaglia was born in Adelaide, South Australia, Australia. He is a producer and actor best known for the films Empire Records, Without a Trace, and Lantana (1995). Since April 28, 2018, he has been married to Alexandra Henkel.
Previously, he was wed to Gia Carides. Anthony LaPaglia is a renowned Australian actor who is most known for portraying the characters of Joe in the comedy Empire Records and John in the romantic drama Autumn in New York. He has starred in several films, television programmes, and theatre productions. He earned the Australian Film Institute Award for Best Actor in a Leading Role, the Film Critics Circle of Australia Award for Best Actor, and the IF Award for Best Actor for his performance as Detective Leon Zat in the 2001 film Lantana.
He won the Newport Beach Film Festival’s Achievement Award for Outstanding Achievement in Acting for the movie Happy Hour. Still, some of his other well-known movies include Balibo, Holding the Man, The Custodian, and Summer of Sam. He earned the Golden Globe Award for Best Actor – Television Series Drama for his performance as FBI agent Jack Malone in the American TV series Without a Trace, which is well-known among television viewers.
He received the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series for his performance as Simon Moon in the American comedy Frasier (2002). In addition, he has had essential cameos on the television programmes Murder One, Keeper of the City, Lansky, and Riviera. In 2017, he released The Assignment, a Walter Hill-directed criminal thriller, and Annabelle: Creation, a David F. Sandberg-directed supernatural horror movie with Stephanie Sigman in the lead.
A drama film featuring him in a leading role alongside James Floyd and Noemie Merlant, The Operative, was one of his 2017 releases. Kai Barry directed it. Anthony LaPaglia, an actor most known for portraying policemen and thieves, has had a successful and varied career on stage as well as in television and movies. LaPaglia has been recognised for his adaptability by receiving both a Tony and an Emmy.
LaPaglia (pronounced la-PAY-lee-ah) was born in Adelaide, Australia, in 1959 and was raised by first-generation Italian immigrants. Although his mother’s side of the family had Dutch ancestors, he grew up in a community of immigrants from other countries, including Germany, Croatia, and Greece; this exposure to different nationalities and dialects would later be helpful to him in his acting career.
LaPaglia was employed as an elementary school teacher in Adelaide before his 1984 immigration to the United States. He watched his first play, William Congreve’s The Way of the World when he was 20 years old and decided that he wanted to be an actor. But he came to New York City because, apart from this hazy ambition, he mostly wanted to live there. “I felt like I was missing out on something, and I wanted to live in New York City,” LaPaglia said to Rob Kendt in Back Stage West. He would have relocated to the city even if he had no desire to become an actor “either performing or not. The appeal wasn’t acting.”
LaPaglia pursued his acting career in New York while studying with Kim Stanley and doing various jobs to make ends meet. He sold shoes, restored furniture, and installed sprinkler systems. Additionally, he was a production assistant for a commercial business; he had to chop up bananas for one of the commercials. He told Dan Snierson in Entertainment Weekly that he could have made a profession out of being the most incredible banana cutter.
In Entertainment Weekly, he said his agent advised him to “lose the [Australian] accent and alter your name.” Despite his agent’s concerns that the Italian name would restrict him from portraying tough characters, LaPaglia refused to alter his name. He learnt how to speak with an American accent by emulating Al Pacino in Dog Day Afternoon.
LaPaglia acknowledged to Ascher-Walsh that his agent was accurate, yet he nevertheless found success as an actor. In the Off-Broadway comedy Bouncers, where he portrayed eight of the play’s 30 parts, he made his onstage debut. When he showed a gangster in Betsy’s Wedding in 1990, he first came to the notice of the critics. LaPaglia described a kill guy in the sophisticated dark comedy Killer in 1994 after numerous years of doing similar modest roles in movies.
The killer was a low-budget ($1.5 million) movie that was primarily shown at art houses and film festivals, but it had a standout performance by LaPaglia. He told Glenn Lovell in a Knight Ridder/Tribune News Service piece, “This is the finest portion I’ve been given, and I can’t get people to see it.” The Client, a movie based on the John Grisham suspense novel of the same name, starred LaPaglia as mafia thug Barry “the Blade” Muldano.
He was asked to be in the movie by his representatives, who felt that having a part in a big film would advance his career. LaPaglia explained to Lovell at Knight Ridder: “No matter how well your work is done, those who can hire you don’t care. When people examine anything, they inquire, “How much money did it make?” He pointed out that a studio would instead employ a horrible actor whose films were successful than a fantastic actor whose only films had a positive box office performance.
Ironically, and much to his disappointment, LaPaglia’s big break came with The Client. LaPaglia divulged to Lovell during a 1994 Toronto International Film Festival interview: “It makes me sad. I starred in a silly little film I dubbed The Client. That’s pulp. I provide a one-sided performance. That’s what they wanted. I get a substantial salary. Profit is $85 million. And each of these doors opens.”
Due to his performance in the television series Murder One, LaPaglia rose to popularity with viewers in 1996. For his role in Arthur Miller’s play A View from the Bridge, he received a Tony Award in 1998. LaPaglia told Simi Horwitz in Back Stage that he had always been fascinated by Arthur Miller’s plays. “His language is concise and particular. I have nothing else to say. However, there is a significant variation between the staged version and what is written down. I think it applies to Miller more than to many other authors.”
LaPaglia’s natural Australian accent is still audible in spots, although his speaking manner is often a mix of Brooklyn and Australia. LaPaglia often cast as a gangster, started rejecting jobs in 2001 that stereotyped him as an Italian-American thug, including those “whose names finish in a vowel or who carry a gun,” he told Snierson in Entertainment Weekly. He told Kendt of Back Stage West that he thought it was an actor’s duty to resist being pigeonholed into a particular variety of parts, even if it sometimes required turning down jobs. He does not believe the role size to be crucial, yet he will decline employment if it seems to be typecasting. LaPaglia will accept a minor yet intriguing role.
Some observers have found his career trajectory underwhelming due to his willingness to accept a range of small roles. People have blatantly told me, “I thought you were going to be such a huge movie star,” LaPaglia stated to Back Stage West’s Kent. However, he said he considers his professional trajectory and diverse experiences pretty successful and joyful. He told Kendt, “I wanted to be a professional actor, and that’s precisely what I got.
He also said that he appreciates the candour of his supporters and adversaries, as reported by Daniel Fienberg in a Knight Ridder/Tribune News Service piece. “I’ve heard comments like “I truly adore your programme, I love your work” from some individuals and “I despise your thing” from others. I despise what you do. But they’re not expressing it in a hostile manner; they’re simply being sincere.” In New York City, he said, “They don’t stab you in the back; they stab you in the front.”
LaPaglia has spent most of his career in American theatre, cinema, and television, although he periodically returns to Australia to work. There is a freshness to the Australian movie environment that appears to have vanished in the US, he told Back Stage West’s Kent. “I like the raw energy of it; it has the maverick, everyone’s in it together vibe that I adore.”
LaPaglia portrayed police officer Leon Zat in the 2001 movie Lantana, a reflective, contemplative character who struggles with remorse about his adulterous affair. According to Kendt of Back Stage West, LaPaglia portrays: “Leon exhibits a complex, bordering on opaque impassivity until finally expressing despair. In other words, it’s a finely calibrated performance that, even from an actor with LaPaglia’s talents, catches us off guard.” LaPaglia said to Kendt that he has learnt to do “less acting and more being” as he has grown as a person and an actor and that this has allowed him to represent people with greater nuance.
He said that the camera automatically takes up everything if it’s in the appropriate place. In an interview written by Moira Macdonald for Knight Ridder/Tribune News Service, LaPaglia recalled what it was like to work on the movie: “Speak the truth in every moment, [director Ray Lawrence] incessantly urged. Though it seems easy, doing it is quite difficult. Always removing it because the writing was so excellent. You spend more time dismantling things than you do construct them.”
LaPaglia received a Best Actor Award from the Australian Film Institute for his portrayal of Leon in Lantana, and the same body also named the movie Best Film. “The irony has not been missed on me that I moved away from Australia to make a career, but the movie that’s doing the most for my career is from Australia,” LaPaglia said to Ascher-Walsh of Entertainment Weekly.
When his performance in Lantana, LaPaglia thought about retiring, but he returned to work after his accountant told him he needed the money. LaPaglia returned to television in 2002 with the show Without a Trace. In the programme, he portrayed Jack Malone, the leader of an FBI team of Missing person detectives, which became a modest success. The crew recreated the last moments before a person vanished for each episode.
Each programme episode included a genuine missing person data sheet, and the stories were often comparable to those in recent headlines. In the Knight Ridder/Tribune News Service report, LaPaglia said, “The day someone is found because of one of them, I’ll be a pretty happy person.”
LaPaglia received the Best Guest Star Emmy Award in 2002 for his work on the comedic television series Frasier. LaPaglia was questioned by Bruce Fretts of Entertainment Weekly about his reaction to winning the prize for a comedy. LaPaglia said, “I was astonished to win one in general. He clarified, however, that he has never distinguished between humour and drama throughout his career. He said I’ve always taken satisfaction in the notion that I could do both.
LaPaglia worked on five feature films, many episodes of the television programme Frasier, the film adaptation of A View from the Bridge, and a stage performance of Arthur Miller’s play After the Fall during the year 2002. He admitted to Macdonald of Knight Ridder that he did not differentiate between all the genres. He said, “I’m more interested in the substance. “I want to perform in great plays or portray great TV characters, depending on the situation. I became an actress for the sole purpose of having variety.”
For his performance in Without a Trace, LaPaglia received a Golden Globe Award in 2004 for Best Actor in a Drama Series. In police procedural series, it may be challenging to delve into a character’s personal life. Still, executive producer Hank Steinberg said in Television Week that LaPaglia “shows us what makes his character tick—all as he solves the mystery.”
Their career in LaPaglia is still progressing. His age group did not have many significant roles when he started acting; he was neither too old for character roles nor too young to qualify as a “leading man.” The past few years have been the finest, he told Kendt of Back Stage West, adding that he always believed his career would take off after turning 40.
According to Entertainment Weekly’s Ascher-Walsh, he also said that although he never intended to be a leading man in movies and found the concept relatively “uninteresting,” he would accept such a job if given to him. “I’ll do anything if the content calls for it. I’ll be there if the cheque is large enough. “He laughed as he stated.
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Industry Entertainment Productions, LLC
955 S. Carrillo Drive
Los Angeles, CA 90048-5400
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Phone number: (323) 954-9000
Email id: NA