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Bill Condon Contact Details:
REAL NAME: Bill Condon
NICKNAME: Bill Condon
DOB: 22 October 1955 (age 67 years)
BIRTHPLACE: New York, New York, United States
BIRTH SIGN: Libra
SPOUSE / WIFE: NA
YOUTUBE CHANNEL: https://www.youtube.com/channel/UC1rVUVWNeZWYrl7KhMZNlCQ
Fan mail address:
8501 Washington Blvd.
Culver City, CA 90232-7443
Bill Condon Bio
Bill Condon is an American screenwriter and filmmaker born in New York City on October 22, 1955. His most well-known works are Gods and Monsters, Kinsey, Chicago, and Dreamgirls, which he wrote and directed. It was revealed on April 28 that Condon would helm both chapters of Twilight Saga: Breaking Dawn.
He attended Regis High School and Columbia College of the City University of New York, earning a philosophy degree in 1976. Two movies significantly influenced Condon’s early life. He initially became interested in creating screenplays after seeing Bonnie and Clyde when he was twelve. As a college student, he first watched Sweet Charity (1969), which started “a lifelong love affair with movies that are loathed and rejected in their time.”
Condon worked as a journalist for movie publications, including American Film and Millimeter, after graduating from college. He triumphed in the Village Voice-sponsored “world’s most difficult cinema trivia quiz” in 1981. Screenplays for the indie films Strange Behavior (1981), a tribute to 1950s pulp horror, and Strange Invaders (1983), starring Nancy Allen and Wallace Shawn, marked the beginning of his career as a director.
In 1987, he made his directorial debut with the creepy Southern Gothic mystery Sister, Sister, starring Eric Stoltz and Jennifer Jason Leigh. Major adjustments were made to the movie after test viewing, yet it still received negative reviews and damaged Condon’s career. A few years later, Condon made his directorial debut, helming several made-for-TV suspense dramas, including 1991’s Murder 101, for which he and screenwriting partner Roy Johansen won the 1992 Edgar Award. He also penned the script for the Australian filmmaker Richard Franklin’s thriller F/X2 (1991) at this time.
He helmed the critically unpopular 1994 television film The Man Who Wouldn’t Die. He directed the 1995 follow-up to Bernard Rose’s 1992 horror movie Candyman: Farewell to the Flesh. Both critically and commercially, it failed. “It’s impossible to be lower on the totem pole than being the director for a sequel to a horror movie,” Condon observed when reflecting on this time in his career years later.
Gods and Monsters (1998), based on a book by Christopher Bram, was written and directed by Condon. The Best Adapted Script Oscar went to his screenplay. As to The New York Times, Condon “When his name was revealed as the winner of the best-adapted screenplay category, he may have been the most shocked person present at the Academy Awards. He has toiled in Hollywood for years as a screenwriter and journalist, so the sudden commotion around him is foreign to him.”
For his script for Chicago, adapted from the same-named Broadway musical, he received a nomination for the same honour. He also won a second Edgar Award for his writing for Chicago. He created and directed the 2004 movie Kinsey, which portrayed the controversial sex researcher Alfred Kinsey’s life. “Bill Condon’s brilliant, stirring [picture] has a lot to say about sex, which it addresses with seriousness, empathy, and a welcome degree of comedy,” commented A.O. Scott in The New York Times.
He went on: “I can’t remember another film that dealt with sex so intelligently while still making the quest for knowledge appear so seductive. Although there are some graphic visuals and suggestive scenarios, your brain is more likely to be stimulated. The most notable accomplishment of Mr Condon is transforming Kinsey’s complex and contentious career into a magnificent intellectual drama.” At the GLAAD Media Awards in 2005, he was presented with the Stephen F. Kolzak Award.
Dreamgirls is a film version of the renowned Broadway musical of the same name, and Condon both authored the story and directed it. It became available in December 2006. For running, Condon garnered nominations from the Broadcast Film Critics Association and the Directors Guild of America. The movie received eight Academy Award nominations in six categories. With producer Laurence Mark, Condon served as executive producer of the 81st Academy Awards television presentation, which aired on February 22, 2009.
The Twilight Saga: Breaking Dawn, which was based on Stephenie Meyer’s fourth and final book in the series, was directed by Condon in both of its 2011 and 2012 instalments. For these movies, he received two Razzie nominations for Worst Director, winning for Part 2. The Fifth Estate (2013), a thriller about WikiLeaks starring Benedict Cumberbatch, was directed by Condon. He said he picked the project as a change of pace because he loved its fair treatment of a complex topic. “In the great tradition of journalistic thrillers,” he observed. The reviews were conflicting, and it did poorly at the box office.
He oversaw the La Jolla Playhouse’s production of the 1997 theatrical musical Side Show in late 2013. The Kennedy Center hosted a performance of this version in June and July 2014. In The New York Times, Charles Isherwood called it “a full-scale rethinking” of the musical that included new language from Condon and “the addition and deletion of numerous songs… the rearrangement of others.” When it transferred to Broadway in the autumn, that production earned rave reviews, but it was a financial flop and shuttered after just seven weeks.
Condon directed the Ian McKellen-starring film Mr Holmes in 2015. Condon said that although having a different main actor, it was comparable to Gods and Monsters in other ways as well. “Both films deal with age and death. A well-known figure is seeing his reputation deteriorate.” The 2017 Disney live-action version of the animated 1991 film Beauty and the Beast was directed by Condon. LeFou, a character in the movie, has “a wonderful, purely homosexual scene,” director David Condon revealed a few weeks before its planned March 17 premiere. This announcement sparked an “online explosion” of conflicting enthusiasm and criticism.
He co-wrote the script for Hugh Jackman’s P.T. Barnum biopic The Greatest Showman, released in December 2017 and stars Hugh Jackman. He revised co-author Jenny Bicks’ original manuscript. For Universal Pictures, Condon delayed pre-production on a remake of Bride of Frankenstein in October 2017. According to Deadline Hollywood, David Koepp and Condon reportedly sought to rewrite the screenplay.
Condon is a member of the Independent Writers Steering Committee, founded by the Writers Guild of America, and the Independent Feature Projects (IFP), a non-profit organisation in Los Angeles that encourages independent films (WGA). Condon committed to directing TriStar Pictures’ version of Guys and Dolls in July 2021.
Sister, Sister was a disaster. Condon subsequently admitted, telling Liese Spencer of the Independent, “The picture was not a success, so I went to filmmakers’ jail: directing cable movies.” Condon continued to create scripts in addition to directing movies for television, such as White Lie and 1991’s Murder 101 (both of which he also authored). He wrote the screenplay for the 1991 sequel to the well-liked gadget-focused action thriller F/X, which was first released in 1986. Bryan Brown and Brian Dennehy, who both starred in the first movie, were in Condon’s adaptation, which stayed loyal to the original’s essence.
Condon’s second movie, Candyman 2: Farewell to the Flesh, was released in 1995 after he had previously directed The Man Who Wouldn’t Die for television in 1994. The movie was a follow-up to Candyman, based on a Clive Barker tale. Candyman 2, like its predecessor, centres on the hideous Daniel Robitaille, a.k.a. The Candyman, a former slave whose master’s owners cruelly executed after falling in love with the girl of his master.
She now has a mirror, and the Candyman now resides within it, only emerging to slice people who utter his name five times. In his quest to understand the Candyman’s motivations, Condon’s film touches on related racial and ethical concerns as he searches for victims in New Orleans. “But if one thing other than a whole lot of violence is reasonably assured in this thought-provoking sequel, it’s that Condon wants you to at least empathise with the poor man,” said Ed Masley of the Pittsburgh Post-Gazette in his review.
With the release of the co-written and co-directed movie Gods and Monsters in 1998, Condon’s career reached a new height. In fact, the director was even presented as a novice filmmaker during one film festival showing of his work. Although not a newcomer, Condon won multiple awards for the picture, which contrasted the action/thriller/horror genres that had previously dominated his career and won the Academy Award for best-adapted screenplay.
Gods and Monsters look at the last years of British filmmaker James Whale, who in the 1930s was responsible for such legendary Hollywood fright flicks as Frankenstein, The Bride of Frankenstein, and The Invisible Man. The film is centred on the unexplained death of the out homosexual man in 1957 when he was 61 years old and was discovered floating face down in his swimming pool. For a number of reasons, including his open homosexuality at a time when such a sexual preference was taboo in Hollywood, his autocratic directorial style, and his mention of suicide just before his death, it was uncertain if he committed himself or was murdered.
Gods and Monsters was mainly an imaginative interpretation of Whale’s life and death, despite the fact that it was based on Christopher Bram’s book Father of Frankenstein and Condon’s research. Condon said, “I felt compelled to get to the actual Whale,” as Jeff Strickler of the Minneapolis Star Tribune quoted. The plot centres on the friendship between Whale, portrayed by Brendan Fraser, a British legend, and his handyman/gardener, Ian McKellan. Lynn Redgrave is Whale’s watchful housekeeper in the movie.
Condon told Spencer of the Independent that selling Gods and Monsters to studios was difficult “Two individuals conversing while seated in a room accounted for 80% of it. Instead of a guy acquiring abilities, it is about a man who is losing them. It is about sadness, regret, and loss. It stars a homosexual guy, but it’s not a cute, gay-lifestyle film.” The actors in Condon’s movie received high appreciation for their performances, and McKellan won several prizes for his very skilful portrayal of whales. In 1998, Condon received an Oscar for Best Writing for a Screenplay Based on Material from Another Medium.
Following the success of Gods and Monsters, Condon penned the screenplay for the popular movie Chicago and directed an episode of The Others in 2000. Chicago, which was published in 2002, was based on the popular Broadway musical that debuted in the middle of the 1970s. The Brave Little Women, a 1926 drama about two women who became closest friends in prison while awaiting trial for killing their boyfriends, served as the inspiration for the theatrical adaptation.
The ladies who became vaudeville stars in the stage musical version are now antagonists, changing the dynamic and highlighting the negative aspects of fame. The story’s core was kept in Condon’s screenplay, but the self-obsessed Roxie character received greater prominence. Wesley Morris, who reviewed the movie for the Boston Globe, called Condon’s interpretation of the plot “a wiley narrative decision.” For his writing, Condon received a second Academy Award nomination.
Kinsey, which took three years to complete, was Condon’s next significant film as a director and screenwriter. Kinsey was a biopic about a contentious public figure, similar to Gods and Monsters. The sex lives of Americans were investigated by Alfred C. Kinsey (Liam Neeson) and his wife Clara “Mac” McMillen (Laura Linney), who then published their results in the well-known but immensely contentious Kinsey Reports of the late 1940s and early 1950s.
Kinsey and his colleagues used a successful face-to-face interviewing approach that persuaded participants to divulge their most intimate sexual secrets. Kinsey began his work as an entomologist but switched to sex study due to his students’ profound sex illiteracy and his own experiences as a young person with false knowledge. He also spoke on sex education.
Condon believed that Kinsey’s insights and the audience’s response would resonate. Jose Antonio Vargas of the Washington Post was informed by him “One of the film’s primary themes is that, although every one of us has a distinct sexuality of our own, we all want to feel normal, like we belong, and be a part of the community. I hope viewers of the movie don’t only regard it as a funny look back at a period in our history. I’m hoping they understand it today.”
Jonathan Gathorne-Hardy, one of Kinsey’s biographers, described Condon’s Kinsey in the Independent, “It is a courageous and affecting movie. Bill Condon did not conceal any aspect of Alfred C. Kinsey, including his homosexuality or the manner in which he encouraged his friends to act quite freely. It will undoubtedly incite right-wing rage, just as its topic did.”
The daring movie received high marks from several reviewers, including David Denby of the New Yorker, who observed that “Kinsey is… joyful, amusing, and even wicked. It’s a really nice tune that functions in parts as a scholarly summary and in others as a sex song.” However, much as when Kinsey first published his studies on male and female sexuality, some conservatives decried Condon and his film, believing they had something to do with contemporary society’s decline.
Dreamgirls, a movie directed by Condon, was released two years after Kinsey first appeared on theatres. Dreamgirls, like Chicago, was based on a popular Broadway musical. The turmoil involving and surrounding the Supremes, a well-known Motown female group, also served as inspiration for the novel. The movie had a $70 million budget and was directed by Condon, stars Beyonce Knowles, Jennifer Hudson, an American Idol contestant, and Eddie Murphy.
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8501 Washington Blvd.
Culver City, CA 90232-7443
What is the best way to contact Bill Condon?
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Phone number: (310) 558-3667
Email id: NA